Friday, April 30, 2010

Compare and contrast the characteristics of several characters in "Aunt Granny Lith" by Chris Offutt.

In Chris Offutt's "Aunt Granny Lith," we find that some of the characters are similar to others, while a few have little in common.


The story is about Beth, who is the third wife of Casey. Casey's first two wives died. Some folks say he is "hexed," but Nomey (Beth's mother) disagrees:



That boy's had a run of bad...But he ain't full to blame.



Nomey does not give any more details about Casey's "run of bad [luck]," and two months later, Beth announces that she will marry him.


Aunt Granny Lith is a very old woman who never married or had children, but as a midwife she delivered more than three hundred babies on their side of the mountain. When a hospital was built nearby, she stopped working and became a recluse, living in the wild in a cave. Both Nomey and Casey thought she was long dead.


As a youngster, playing a joke on his friend Duck Sparker during a game of hide-and-seek, Casey had placed a buckeye (with the center whittled out) on what he believed to be Duck's finger, hanging out of the hole in a log where Casey thought Duck was hiding. As a part of the joke, Casey had announced:



I take you as my wife...'til death do us part.



Duck had said nothing and so Casey has smacked the side of the tree trunk and hollered for Duck to come out and kiss him. It was not Duck that emerged, but...



...a little dried-up woman, old as the hills. Her face was awful. She said, "I'll wait on you."



Casey had run away and never told a soul what had happened. However, it seemed as if Aunt Granny Lith had taken his words seriously: for his first two wives came to a quick and untimely end.


Lil is a woman in town who is out to take advantage of the drunken Casey when he goes on a two-week drinking binge. When Beth arrives to collect her drunken husband, Lil does all she can to run her out, or at least incite a fight. The two women do come to blows: Beth knocks Lil out and helps her husband out of the house.


Aunt Granny Lith is similar to Lil. Both women want a man they have no right to, and both are willing to fight Beth to get him.


Nomey and Beth are similar in that they believe that there is a power beyond that of the physical world—that there is a supernatural world. Beth refers to the power of tokens. The tokens that Beth and her mother believe in—to which they attribute supernatural (that is to say, anything beyond the natural world) or magical properties—come in the form of "an old piece of root." Casey places no significance on the tokens, but the women's beliefs and advice seem to be more effective than the things he tries to do to remove himself from the snare in which he has placed himself with the old woman. 


There appears to be reason to support the women's beliefs. There is a supernatural essence to the character of Aunt Granny Lith. First she is believed to have brought about the deaths of Casey's previous wives. And when Casey decides he is going to rid his life of the old woman, the very tools he takes out to do so are rendered useless as a nighthawk attacks him in an unnatural way. The nighthawk is associated with the old woman—the first night Beth sees her, a nighthawk lands in front of Aunt Granny Lith and she "coos" to the bird.


Both women are similar in that they are very much committed to protecting their family members: Nomey watches out for Beth and Casey, and Beth is dedicated to protecting Casey and her unborn baby.


While Beth and Nomey are similar, they have nothing in common with Aunt Granny Lith or Lil.


Even though Casey and Beth might appear to be different, in many respects they are very much alike. While they disagree on the use of tokens and the mystical traditions of Nomey, they are similar in the way they feel about each other and the things they value.


Beth and Casey both care deeply for the other. When Casey causes the truck to crash on the night of his drunken binge, Beth (even after the fist fight with Lil) walks home in the dark using the stars to guide her and returns with a mule and logging chain to haul Casey's car seat (with him tied to it) out of the truck that has crashed down the creek bank. Once she gets him to the top of the bank, she picks him up and slings him over the back of the mule to take him home.


In order to protect Beth from Aunt Granny Lith, Casey is prepared to firebomb the cave where the old woman lives and shoot her if necessary. (A nighthawk stops his plan.) When he realizes that he must act as instructed by Beth and Nomey to pacify the old woman, Casey agrees, even though he hates the notion. When Beth insists that he must spend the night with the old woman, Casey is furious. He has the following conversation with his wife:



"It's against everything."


"Not if I tell you to."


"I can't."


"It's the only way."


"That don't make it right."


...Casey smashed the chestnut with his fist. He pounded the shell to tiny pieces, swept them to the floor.



When Beth realizes that Casey will do as she and her mother have advised him, she comforts him:



She embraced him, rocking and moaning low in her throat. At dusk, he left the house.



When Casey returns, his unease at the situation is obvious. He enters the house and tells Beth:



Don't look at me.



For the two weeks following his encounter with Aunt Granny Lith, "he lay...chilled and quaking with fever." Nomey and Beth take care of him night and day.


Beth and Casey's relationship is strong. They are able to handle things that the other does and still love each other. Rather than shifting blame, they concentrate on their relationship and their abiding love for one another—a strong yet quiet love. Beth does not blame Casey for going to Lil's. She does not become angry when he causes the truck to crash. Casey apologizes for going to Lil's and for crashing the truck.


Casey is able to be honest with his wife: not only about his mistakes, but also about things that other men might see as frailties—like crying. When he returns from his night with the old woman, he is changed. Beth recognizes:



It had broken a part of Casey and graveled him up pretty bad.



He tells Beth that Aunt Granny Lith begged him to kill her. And in his wife's company:



He lowered his face to his hands and cried for a long time.



They value family as well. While we see this in how they care for each other, and the way that Casey is willing to do what it takes to keep his wife and unborn baby safe, Beth shows her love for family by urging Casey to sleep with the old woman to save her child. She is willing to allow him to go and never makes him feel guilty—in fact, if there is any guilt, it is in Casey's self-recriminations. It is Beth who promises Aunt Granny Lith:



You're too old to be a wife but you won't die like you were born. You got my word.



Beth also allows that that night was worth it, however she notes that it was something Casey and she did together:



She didn't think about it often but when she did, she knew that what they'd done was right. Their four girls were proof enough, grown now, and gone.



Offutt's characters are rich and diverse; but in both what is shared and what is distinctly different about them, they are skillfully used to create a deep and meaningful story.

`y = x^2, y = 4x - x^2` Sketch the region enclosed by the given curves and find its area.

You need to determine first the points of intersection between curves `y = x^2 ` and `y = 4x - x^2` , by solving the equation, such that:


`x^2 = 4x - x^2 => 2x^2 - 4x = 0`


Factoring out 2x yields:


`2x(x - 2) = 0 => 2x = 0 or x - 2 = 0`


Hence, the endpoints of integral are x = 0 and x = 2.


You need to decide what curve is greater than the other on the interval [0,2]. You need to notice that `x^2 < 4x - x^2` on the interval [0,2], hence, you may evaluate the area of the region enclosed by the given curves, such that:


`int_a^b (f(x) - g(x))dx` , where `f(x) > g(x)` for `x in [a,b]`


`int_0^2 (4x - x^2 - x^2)dx = int_0^2 (4x - 2x^2)dx`


`int_0^2 (4x - 2x^2)dx = int_0^2 (4x)dx - int_0^2 (2x^2)dx`


`int_0^2 (4x - 2x^2)dx = 4x^2/2|_0^2 - 2x^3/3|_0^2`


`int_0^2 (4x - 2x^2)dx = 2x^2|_0^2 - 2x^3/3|_0^2`


`int_0^2 (4x - 2x^2)dx = 2(2^2 - 0^2) - (2/3)(2^3 - 0^3)`


`int_0^2 (4x - 2x^2)dx = 8 - 16/3`


`int_0^2 (4x - 2x^2)dx = (24-16)/3`


`int_0^2 (4x - 2x^2)dx = 8/3`


Hence, evaluating the area of the region enclosed by the given curves, yields `int_0^2 (4x - 2x^2)dx = 8/3.`



The area of the region enclosed by the given curves is found between the red and orange curves, for `x in [0,2]` .

Thursday, April 29, 2010

What are some recurrent themes in Emily Dickinson’s poetry? How does her poetic format differ from that of other poets?

Emily Dickinson was a prolific poet who wrote on a wide variety of topics; however, some of her recurrent themes are nature, death, love, and emotions, especially grief. Examples of her nature poems are 1096, which describes a meeting with a snake, and 359, which describes a bird eating a worm. Some of her most famous poems about death are ones in which she seems to describe her own demise, such as "Because I could not stop for Death" (479) and "I heard a Fly buzz - when I died" (591). Dickinson's love poetry has engendered much interest, because she never married, and the object(s) of these poems remain a mystery. They include "I'm 'wife' - I've finished that" (225) and "Wild nights - Wild nights!" (269). Two poems that powerfully describe the grief of loss are "I felt a Funeral in my Brain" (340) and "After great pain, a formal feeling comes" (372). Yet Dickinson wrote of ecstasy as well, as in "I taste a liquor never brewed" (207). Regarding the formatting of her poems, Dickinson commonly wrote in iambic in a form called "fourteeners," meaning alternating lines of iambic tetrameter and iambic trimeter. However, many poems use very short lines and irregular meter. One hallmark of her poetry is slant rhyme--using rhymes that are not exact, but "near" rhymes. Finally, erratic capitalization and liberal use of the dash within and at the ends of lines differentiate Dickinson's poetry from other poets of her time, or before or after her, making her poetry unique. 

Wednesday, April 28, 2010

The writer addresses "you" several times in "Still I Rise," what is the meaning of "you"?

In order to answer this question, we must look at the context in which the poem was written. Maya Angelou spent some of the most formative years of her childhood in the racially segregated town of Stamps, Arkansas. This experience, as well as her experiences with segregation and class-ism in St. Louis and California respectively, greatly colored the tone of her poetry.  This poem, written in 1978, near the end of the Civil Rights movement, and at the height of the Black Power movement was meant to be a rallying cry for any persons who were victims of oppression, especially African Americans.


Initially one could attribute the "you" in this poem to refer to any person who supported segregation or racial injustice since the poem specifically references her African American heritage and the struggles of the African American people, in lines such as:



Bringing the gifts that my ancestors gave


I am the dream and the hope of the slave


I rise


I rise


I rise



However, Angelou was intentionally ambiguous by using the general "you," because the themes of rising above oppressors, self-love, and confidence in who you are despite your circumstances, transcend race, and apply to gender, class, and religion as well.  

Tuesday, April 27, 2010

Is it private information that gives an advantage for insider trading? Who benefits from insider trading?

It is private or confidential information that confers an advantage in insider training, and the person who sells or buys stocks on the basis of that private information makes money he or she should not be entitled to make. The idea is that stocks and bonds are traded on a level playing field, with buyers and sellers all having access to the same information, making their decisions on the basis of information that is available to everyone.  This keeps the stock market fair and allows it to be a legitimate measure of value.  


Let us suppose I work for a technology company that is on the verge of some major technological breakthrough, for instance, the ability to hold millions of gigabytes of memory on some device no bigger than a dot.  This is not public information, and it is likely to be confidential information, which I have agreed to keep confidential as a condition of employment, a fairly standard requirement.  The stock of my company is so-so, perhaps trading at $25.00/share.  I call you up and tell you about this breakthrough. You buy 100 shares of the stock, investing $2500.  The announcement of the breakthrough comes, and the shares are now trading at $50.00/share. You can now sell this stock at the current rate and will have doubled your money.


The problem is that you have reaped the benefit of information that is not accessible to everyone, just to you, because I have called you to tell you about the breakthrough coming. Not only that, but also, I have breached my employment contract, discussing confidential information with an outsider.  This is completely unfair to all the buyers and sellers in the stock market, since the whole market is premised on the idea of the level playing field. If insider training were not prohibited, our ability to trade and make money would be based more on whom we know than on any acuity we have to judge what to buy and sell.  Our faith in the stock market as a true evaluation of the worth of publicly traded companies would be completely eroded, and we would probably all go back to hoarding gold or stuffing our money in our mattresses.  

What have we learned from Lyddie in the book?

Different readers are going to learn different things from Lyddie's character.  Based on the question, it seems that the answer is completely open ended, and you can state whatever you believe that Lyddie taught you.  Be sure to back up your claims with explanations about why you feel that way.  


I do believe that no matter who the reader is though, that readers learn about the value of family through Lyddie's character.  Early in the novel, she is separated from her family because of the debt that her father left the family with.  Canceling out that debt is her number one goal, because without the financial debt, Lyddie's family can return together to the farm.  


I also believe that Lyddie (the person) also teaches readers about hard work and determination.  Lyddie is anything but lazy.  She is willing to work herself into the ground in order to be successful.  I think a lot of people could stand to learn that lesson.  The things in life that are worth pursing take a lot of work.  Lyddie is constantly being given obstacle after obstacle, but her determination to see things through allows her to continually be successful.  

Which words best describes the tone of the poem "Ozymandias"? Some possibilities are: Ironic Cheerful Confused Despairing

"Ozymandias" by Percy Bysshe Shelley (1792–1822) was first published in the January 1818 issue of the magazine The Examiner. The poem is a fourteen-line Italian sonnet written in iambic pentameter.


The poem consists of an introduction by a nameless narrator who meets with an equally nameless traveler. The traveler tells of having seen on his travels a partially ruined statue of Ozymandias (a name used for the Egyptian Pharaoh Ramesses II). He notes the grandeur and scale of the statue, the arrogance of the stone face, and the inscription on the pedestal reading:



‘My name is Ozymandias, king of kings:


Look on my works, ye Mighty, and despair!'



The tone of the poem is neutral and descriptive. Neither the narrator nor the traveler has any particular emotional connection to the pharaoh who died a few thousand years before the dramatic present of the poem. The contrast between the boasting of the statue and its physical decay in the remote desert is an example of situational irony. The traveler seems impressed by the sheer grandeur of the statue and skill of the artist, but also aware that such boasting appears absurd in light of human mortality. 

How does author Elie Wiesel use symbolism to contribute to the meaning of Night?

In his book Night , Elie Wiesel uses symbolism throughout to enhance the text. First of all, the title itself is symbolic. The word "ni...